Retro Readings

True Crime in Literature 

People have long been fascinated by crime. Some of the earliest examples of true crime appeared in the murder pamphlets and broadsides distributed in Britain during the 16th century, but Truman Capote's In Cold Blood (1966) is widely regarded as the first modern true crime book.

This course examines classic and contemporary true crime, including nonfiction accounts of real crimes and works of fiction inspired by actual events. Students will explore the themes, conventions and enduring appeal of true crime across literature, film, television and other media.

HNRS 301H1
Casey Kayser
Spring 2027
TH 11-12:15 p.m. 
GEAR 129

No application required.

The course considers which crimes, perpetrators and victims receive public attention — and which stories remain overlooked. Students will examine why audiences are drawn to true crime and what that fascination reveals about society's values, assumptions and systems of justice.

Students will also investigate the boundaries between fact and fiction in crime writing, considering how narratives about crime shape public perceptions of guilt, punishment and justice.

Headshot of Casey KayserCasey Kayser's research focuses on narrative medicine and the medical humanities; modern and contemporary American and Southern literature and drama; folklore; and gender studies. She is the author of Marginalized: Southern Women Playwrights Confront Race, Region, and Gender (University Press of Mississippi, 2021), which received the 2021 Eudora Welty Prize.

Kayser has co-edited several scholarly collections, including Understanding the Short Fiction of Carson McCullers (Mercer University Press, 2020), Carson McCullers in the Twenty-First Century (Palgrave Macmillan, 2016) and Get It While It's Hot: Gas Station, Roadside, and Convenience Cuisine in the U.S. South (LSU Press, 2026). Her scholarship has appeared in journals including Midwestern Folklore, Mississippi Quarterly and Pedagogy.

Her current book project examines how illness and health have shaped cultural understandings of the American South and analyzes their depiction in the works of Southern writers. She has taught courses on Southern crime fiction and has presented widely on representations of crime in nonfiction, fiction, media and popular culture.

 

College Students Making History

College students have long been catalysts for social and political change, and University of Arkansas students are no exception. This course explores the role of college students in social movements, with particular attention to how University of Arkansas students have shaped — and been shaped by — broader national developments.

Through classic and contemporary readings, along with selected films and other media, students will examine campus activism on issues ranging from censorship and desegregation to LGBTQ+ rights. The course also considers the disagreements that existed among students themselves, recognizing that college campuses have long been sites of competing visions of social progress.

HNRS 301H1
Michael Hevel
Spring 2027
W 5:15-6:30 p.m. 
GEAR 243

No application required.

By examining both local and national case studies, students will gain a deeper understanding of how colleges and universities have served as incubators of social change while also reinforcing the status quo.

Headshot of Michael HevelMichael Hevel serves as an associate dean in the College of Education and Health Professions and a professor of higher education. He studies the history of college students, campus life, and student affairs. He has published research in leading journals such as the History of Education Quarterly, Journal of College Student Development, and the Review of Higher Education. He has received multiple awards for his research from the American Educational Research Association, the leading scholarly organization devoted to educational research. His research has been supported by grants from the Spencer Foundation, National Academy of Education, Massachusetts Historical Society, and Princeton University. He was named the David and Jane Gearhart Faculty Fellow in Higher Education Leadership in 2024.

Mathemalchemy

To mathematicians, mathematics is a world of creativity, wonder and playfulness — a perspective that is not always visible to the broader public. Mathemalchemy is a traveling exhibition that brings that vision to life, transforming abstract mathematical ideas into immersive works of art and interactive experiences. Created by a team of more than 25 mathematicians and artists over two years, the exhibit has toured the United States since 2023.

In spring 2027, Mathemalchemy will come to the University of Arkansas for its final U.S. stop before touring leading universities and museums across Europe.

HNRS 301H1
Edmund Harriss
Spring 2027
W 10:45-12 p.m. 
GEAR 243

No application required.

In this course, students will explore the mathematics behind the exhibition while learning about mathematical communication and public outreach. They will receive training to serve as exhibition guides, helping visitors engage with the displays and discover the creativity, beauty and joy of mathematics for themselves.

Headshot of Edmund HarrissEdmund Harriss is a mathematician, artist, educator and maker whose work explores the visualization of mathematics and its unexpected applications, particularly in art. His research is driven by a passion for communicating the beauty, creativity and practical value of mathematical thinking through interdisciplinary collaboration.

Harriss' research has been published in leading journals, including Nature and the Proceedings of the National Academy of Sciences, and featured in national and international media outlets such as New Scientist, NPR and The Guardian. His artwork has appeared in The New York Times and is permanently installed at universities ranging from Imperial College London to the University of Arkansas.

He is the author of two adult coloring books inspired by mathematics and a children's counting book that introduces readers to the beauty of deep mathematical ideas through art and play.